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Audio for fishing filmmaking will make or break your vidoes. You can have the slickest slo-mo on the planet, if the audio is bad, people leave. As a musician in a former life, the audio is more important than the video. The soundscape, voice attenuation all play a part in making your video awesome. People will tolerate poor video if the audio is clear. The opposite? Nope!
Audio for fishing videography is different than audio in a recording studio. Of course it's is the same on a strategic level, but on a tactical level it is very different. A recording studio is a perfect. On the river or in the woods, nothing is perfect. So your'e already behind the eight ball.
Audio in fishing filmmaking is best done with a variety of microphones to fit the situation:
1. Shotgun microphones for selective sound.
2. Stereo microphones for ambient sound.
3. Lavaliere microphones for voice isolation in any direction.
4. Dynamic heldheld microphone for voiceover work in a less than ideal acoustic environment.
Fishing filmmaking audio takes everything I learned in music and applies it is a very different way. Everything on camera light, mobile, thus it's more expensive, heavier audio processing in every smaller packages.
How to do mirrorless filmmaking audio: be sure to get a couple good microphones for the situation you find yourself in the most. Then get a good preamp like the DXA Micro Pro. This will replace the camera's built-in audio preamp and give you far better sound without compromising your ability to fight and catch fish.
Mirrorless filmmaking audio should be better than it is. There is no reason they couldn't make the audio much better, but they don't
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Audio for Fishing and Filming corkscrew curva | |
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| How-to & Style | Upload TimePublished on 20 Nov 2018 |
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